The Disco Biscuits Revive “Haleakala Crater”, Perform Full ‘Hot Air Balloon’ Rock Opera At Hometown NYE Run [Full Videos]

first_imgAll in all, the 20th anniversary of The Hot Air Balloon Rock Opera was an enormous success, but the Biscuits had one last set to finish 2018 strong. Like they’ve done so many times before, they counted down into the new year with “Helicopters”, as the band and fans screamed, “Happy New Year, Look Out Below!”. They cranked the energy up as high as they could to finish the run as strong as it started, jamming into “Mr. Don” > “The Great Abyss” and back into the ending of “Helicopters” in true Bisco fashion.When the lights came on, the crowd was speechless. All they could do was cheer as loud as they possibly could. It was obvious that the band and crew had worked tirelessly to create the best possible experience for their die-hard fans to look back on, and it will be remembered as one of the most historic runs in Biscuits history. The band is showing no signs of letting up in 2019, with a three-night run at The Capitol Theatre scheduled in less than a month. So, buckle up and enjoy the ride, because the Disco Biscuits are here to stay.12/31/18 – Full Pro-Shot Video[Video: The Disco Biscuits]Setlist: The Disco Biscuits | The Fillmore | Philadelphia, PA | 12/28/18Set 1: The Overture, Once The Fiddler Paid, The Very Moon[1]> Voices Insane, EulogySet 2: Bazaar Escape[2]> Mulberry’s Dream, Above The Waves, Hot Air Balloon[3]Set 3: Helicopters[4]> Mr. Don[5]> The Great Abyss> Helicopters[4]Encore: Run Like Hell[1] with Holly Bowling on piano during intro[2] with ‘Voices Insane’ bridge[3] with New Year’s Eve countdown[4] with New Year’s Eve lyrics[5] unfinishedSets 1 and 2 were the 9th complete performance of the Hot Air Balloon rock opera, played on the 20th anniversary of its debut Another year has come and gone, and the Disco Biscuits ended it in spectacular fashion at The Fillmore in their home city of Philadelphia, PA. After a stretch of shows in Frisco, Colorado, and Mexico for Holidaze, the band and crew were primed to put on a four-night run that would be engraved in the minds of fans for years to come.From the first set to the final note, the compositions were tight and the jams were driven and thematic. All four members were clicking at an exceptionally high level and their synchronicity was beyond evident as they performed with the same aggressiveness that catapulted them to success twenty-plus years ago.The first night of the run started off with a bang with a monstrous “Basis for A Day > Crystal Ball > Basis for A Day”. The second “Basis” jam will be looked back on as one of the most impressive jams of 2018. Fans looked at each other in disbelief as an unforgiving tidal wave of trance-fusion rushed from the stage. It was pure mayhem in the best possible way. Keyboardist Aron Magner used his synthesizers like weapons of digital destruction as bassist Marc Brownstein and drummer Allen Aucoin provided a necessary backbone. Once the melody got tossed to guitarist Jon “Barber” Gutwillig, he caught it and sprinted into the end zone with ease. They finished the set with one of the most classic 1.0 segments in their catalogue, “Stone > Devils Waltz”. It showcases a completely different side of the band and is a prime example of how vast their spectrum of sound is.They kept their foot on the gas in the second set with a handful of standout moments, one being a memorable version of an inverted “Highwire” sandwiched in between “Hope”. Another came when they jammed out of “7-11” into their classic cover of Tchaikovsky’s “Dance of the Sugar Plum Fairies”. But nobody in attendance or watching at home will argue that the most unforgettable moment came at the end of the set. For the first time since 12/27/04, the Disco Biscuits busted out the famed “Haleakala Crater”, a song that many fans have been chasing for well over ten years. There were tears, there were smiles, there were cheers, high fives, and hugs. It was a truly extraordinary moment in Biscuits history as it was the first time that the song has been played with drummer Allen Aucoin behind the kit.12/28/18 – Full Pro-Shot Video[Video: The Disco Biscuits]12/28/18 – “Haleakala Crater”[Video: The Disco Biscuits]Setlist: The Disco Biscuits | The Fillmore | Philadelphia, PA | 12/28/18Set 1: Basis For A Day> Crystal Ball> Basis For A Day, Stone> The Devil’s WaltzSet 2: Hope> Highwire[1]> Hope, 7-11[2]> Dance Of The Sugar Plum Fairy, Haleakala Crater[3]Encore: Floes[1] inverted version[2] unfinished[3] last played 12/27/2004 (675 shows)Once the Disco Biscuits have momentum on their side, the sky is the limit and the musical possibilities are endless. They could not miss during the first set of 12/29. There was no noodling or miscommunications between band members. None of them stepped on each other’s toes or overplayed in a way that was unnecessary. Their individual decision making was conducive to one thing and one thing only—laying down the most impressive and complete set possible.After opening with a phenomenal standalone version of “42”, they took the crowd into deep waters with a three-song segment that was patient and explosive. “Resurrection > Naeba (inverted) > Pilin’ It Higher” was everything that a diehard Biscuits fan looks for when travelling around the country to see them. Since adding two Fender Stratocasters to his setup, Barber’s playing has been passionate and reinvigorated. “Resurrection” is one of the most groove-heavy songs that the Biscuits play, with a thick bassline and a steady rhythm that swings naturally. The band jammed into an inverted “Naeba” and the song’s blissfulness washed over the crowd, but that brightness soon turned into a nasty sonic assault of darkness. The extreme contrast in the Biscuits sound is what makes them stand out as the premier jamtronica act in the scene. “Pilin’ It Higher” gave Allen a chance to show off his ridiculous drum n’ bass chops as it always does, and his mechanics were absolutely brain shattering. Set one of 12/29 will undoubtedly be re-listened to for years to come.It seemed it would be a  difficult task to top that set, but the Biscuits followed it up with a massive palindrome that would best be described as non-stop tenacity. “Reactor > Orch Theme > I-Man > Gangster > I-Man > Orch Theme > Reactor” is the type of set that a fan would submit to the band as a fantasy setlist. It was dynamic with peaks and valleys that kept the audience engaged from start to finish. By the time they dropped into “Gangster”, the foundation of The Fillmore was shaking with a ferociousness that most outsiders wouldn’t be able to handle. But for the fans that have been to countless Biscuits shows, it was heavenly in the most sinister way possible. The jam out of “Gangster” was flawless, as they dropped their volume all the way down and the crowd went crazy, Barber laughing away. One can only imagine that he was thinking: “We cannot miss tonight”. The “I-man” was beautiful, but the jam into “Orch Theme” was comparable to a volcanic eruption. After landing in the ending of “Reactor”, they encored with an especially bluesy version of “Barfly” that had fans singing along in unison. All in all, it was one of the most complete shows of the year.12/29/18 – Full Pro-Shot Video[Video: The Disco Biscuits]Setlist: The Disco Biscuits | The Fillmore | Philadelphia, PA | 12/28/18Set 1: 42, Resurrection> Naeba[1]> Pilin’ It High[2]Set 2: Reactor> Orch Theme> I-Man> Gangster> I-Man> Orch Theme> ReactorEncore: Barfly[3][1] inverted version[2] Perfume version[3] last played 12/26/2014 (136 shows)By the time the third night came around, the band and fans were riding so high, it would be impossible for the music not to hold up to the previous nights. The first set contained another segment that is a definite contender for segment of the year, as “Feeling Twisted > Catalyst (inverted) > Morph Dusseldorf (inverted) > Down to the Bottom” featured the most risk-taking of the run to that point.It was the first time that the band inverted “Catalyst” and only the second time that they inverted “Morph Dusseldorf”, both of which are challenging feats that can only be achieved when the band is playing at their best. The funk jam out of “Morph” had the crowd swaying as one as Brownstein and Allen gave Barber and Magner a pocket to sit in and explore for as long as they wanted. The tone of Barber’s new Stratocaster sounded perfect as he found one immaculate riff after another. He capped it off with one of the most ferocious guitar solos that he’s played on the new axe. From there, Allen sped the tempo up to a steady gallop and the band slid into “Down to the Bottom” with undeniable swagger, ending the set on a high note.The Biscuits fanbase lost a few great fans in 2018, so when they opened up the second set of 12/30 with “Eulogy”, there were definitely some watery eyes in the room. Next came a standalone version of “House Dog Party Favor” that got digitally psychedelic before building into one of the steepest peaks of the run.Just like the previous night, they finished off the second set with a tremendous segment. The band used space to their advantage during “Mindless Dribble” > “Crickets” (inverted) > “Sabre Dance”. Magner and Barber took turns painting illustrious auditory landscapes on the enormous canvas that Brownstein and Allen provided. During the first notes of “Crickets”, they were all smiling with a contagious youthful energy. It was as if they somehow captured their emotions from twenty years ago in a bottle and popped the cork for this run. “Sabre Dance” is another challenging composition that is easy to get lost in, but they nailed it. They finally encored with “Svenghali”, another glorious example of the Disco Biscuits and their signature trance-fusion.12/30/18 – Full Pro-Shot Video[Video: The Disco Biscuits]Setlist: The Disco Biscuits | The Fillmore | Philadelphia, PA | 12/28/18Set 1: Frog Legs, Feeling Twisted> Catalyst[1][2]> Morph Dusseldorf[1]> Down To The BottomSet 2: Eulogy[3], House Dog Party Favor, Mindless Dribble> Crickets[1]> Sabre Dance[4]Encore: Svenghali[1] inverted version[2] first time inverted[3] last played 12/27/2013 (165 shows)[4] last played 7/18/2015 (117 shows)By the time New Year’s Eve came around, rumors were flying about what they had up their sleeve for the finale. A number of fans had a feeling the band would play their Hot Air Balloon rock opera in its entirety, and they turned out to be right.Upon entering The Fillmore for the final Biscuits show of the year, fans were greeted by staff and handed a playbill that read, “The Disco Biscuits Present A 20th Anniversary Performance of The Hot Air Balloon Rock Opera.” The two-act song cycle was written by Gutwillig in 1998 and debuted on New Year’s Eve at the intimate Silk City Diner in Philadelphia. It has only been played in its entirety three times in the 2000’s, and only once since Allen Aucoin joined the band. The last time was on Halloween in 2007, so a lot of the younger fans had never witnessed it.The band split the acts up in the first two sets of the night and let the music speak for itself, taking the crowd on a journey through the heartfelt story of love and the dedication to not only following your heart, but also following your dreams. The love triangle between Corrinado, Leora of the Sequoias, and her husband, the merciless ruler Manilla Trane has the ability to speak to anyone that’s willing to listen.The night opened with “The Overture” and was followed by “Once the Fiddler Paid”, the first two scenes of the story. Ghost Light pianist Holly Bowling, dressed as Leora, joined the band for one of the most elegant intros of “The Very Moon” to date. She exited the stage as the band jammed the song out and transitioned into “Voices Insane: with focus and devotion. They closed the first set with Eulogy, as it’s written in Act I, revisiting it in context after playing it the night before.The second set opened with “Bazaar Escape”, one of the most difficult compositions in the Biscuits catalog, and it was by far one of the most excellent renditions of the past ten years. The transition into “Mulberry’s Dream” was seamless, and the song contained some of the most exploratory improvisation of night. Nobody could have imagined what would happened next during “Above the Waves” as a waterfall poured down from in front of the lighting rig. The crew spent hours setting up the special effect that created an extremely psychedelic experience for the fans when mixed with the lighting design from Johnny R. Goode. The band capped off the set with the final scene of Act II, the titular “Hot Air Balloon”. It was a truly transcendental experience for everyone involved.last_img read more

Football Qualifying draw made as Kildare forced to sit out captain

first_imgThe other Round 4B qualifier sees the meeting of Armagh and Kildare for the very first time in the Championship.It also sees Armagh manager Kieran McGeeney come up against the county where he spent six years as manager.One player who is likely to miss that game is Kildare captain Eoin Doyle.Manager Cian O’Neill confirmed yesterday that Doyle was undergoing surgery on a broken thumb this morning and would “most likely” miss the game.It’s scheduled to take place on the weekend of July 29th and 30th, with the venues and throw-in times to be confirmed by the CCCC later today. Monaghan and Down will face off for the second time in this year’s Football Championship after the Round 4B qualifier draw was made.Down were two points winners when they met in the Ulster semi-finals, however they lost to Tyrone in yesterday’s final while Monaghan beat Wexford and Carlow in the qualifiers.The winners go on to the All-Ireland quarter-finals.last_img read more

Are you BRRave enough to do the Polar Plunge for Special Olympics?

first_imgSpecial Olympics Ireland is calling on Co. Donegal to get ‘Freezin’ for a Reason’ this winter by participating in their ‘coolest’ fundraising event of the year. Donegal’s Polar Plunge will take place at Rathmullan Strand, Rathmullan on December 7th from 12.30pm. Last year, crowds of people including families, Special Olympic Athletes, businesses and individuals turned out to take part in this unique fundraising event, bravely plunging into icy cold waters.  Special Olympics are hoping that this year’s event will be just as popular with potential plungers, so that much needed funds for the organisation and its athletes can be raised. Special Olympics Ulster Polar Plunge 2019 launch at Rathmullan HouseSpecial Olympics Ulster Polar Plunge 2019 launch at Rathmullan HouseSpeaking at the launch of the Polar Plunge, Special Olympics Ireland’s Ulster Region Director, Shaun Cassidy said: “Special Olympics Ulster are delighted to be able to launch the Polar Plunge this year in Rathmullan. Now in its fifth year the Polar Plunge fundraiser is a great community event and this year will be even better than before. “Every day, the athletes of Special Olympics Ulster step up to meet the challenges of the sport that they love and do so with a smile. “We would encourage everyone to sign up today and take on a fun challenge in support of these inspirational athletes. We would like to thank the Athletes of Little Angels Special School in Letterkenny and Rathmullan House for supporting this launch.” Special Olympics Ulster Polar Plunge 2019 launch at Rathmullan HouseSpecial Olympics Ulster Polar Plunge 2019 launch at Rathmullan HouseSpecial Olympics Ireland provides sporting opportunities for nearly 8,000 athletes with intellectual disabilities across 313 clubs all over Ireland. Those who think they are brave enough to take the Polar Plunge can register at www.specialolympics.ie/polarplunge. Registration costs just €20 with plungers encouraged to raise an additional €50. Plungers who raise €50 or more will also receive a complimentary Polar Plunge t-shirt.To keep up to date with Special Olympics Ulster events and athletes, follow the organisation on Twitter, @SOIreland @SO_Ulster and on Facebook, www.facebook.com/SpecialOlympicsUlster. Are you BRRave enough to do the Polar Plunge for Special Olympics? was last modified: November 6th, 2019 by Rachel McLaughlinShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window) Tags:polar plunge special olympicsRathmullanlast_img read more

Jordy Smith captures Billabong Pro Rio

first_img20 May 2013 “This whole week was so tricky and it was one where you had your heart in your mouth whole time. I think I went out there and over-thought it. I got way too excited watching Jordy, Filipe, Adriano and Medina and tried airs and embarrassed myself. “The waves I had at the start didn’t really allow turns so I thought I’d go for airs and find waves that allowed turns at the end and it didn’t work out. Congrats to Jordy. He’s been surfing great this whole event.” “I knew I could win a World Tour event, but I had to prove to myself that I could do it away from South Africa. Semi-finalsMick Fanning matched his Billabong Rio Pro result from 2012 with a semi-finals finish. He looked deadly in his quarterfinals victory over ASP WCT rookie Sebastian Zietz, but was unable to find a rhythm against Smith in their semi-finals clash. ASP WCT TOP 5 SURFERS (Following Billabong Rio Pro)Adriano de Souza (Bra) 18 500 ptsJordy Smith (RSA) 18 250 ptsMick Fanning (Aus) 18 200 ptsKelly Slater (USA) 16 950 ptsTaj Burrow (Aus) 15 700 pts “This win feels unbelievable,” Smith said afterwards. “It’s another dream come true. The next stop on the 2013 ASP World Championship Tour (WCT) will be the Volcom Fiji Pro from 2 to 14 June. De Souza’s win at Bells Beach combined with his runner-up effort in Rio vaulted the hard-working Brazilian to the number one position over former rankings’ leader Kelly Slater, highlighting his chances of becoming the first-ever Brazilian ASP world champion. Final Gabriel Medina was in top form on the final day of competition, earning a perfect 10-point ride for a lengthy barrel-to-air combination in the quarterfinals. The high-flying Brazilian was equally dangerous in his semi-finals showdown with his fellow countryman De Souza, scoring a stout 17.50 out of 20 heat total, but it was not quite enough to see him through to the final and he had to settle for a share of third. Would you like to use this article in your publication or on your website? See: Using SAinfo material Smith now sits at number two on the ASP WCT Rankings. Highlights from the Billabong Rio Pro are available at http://wctbrasil.com/rio13 SAinfo reporter De Souza, the 2011 Billabong Rio Pro winner, went on a rampage to advance to his second career Billabong Rio Pro Final, eliminating 11-time ASP world champion Kelly Slater (USA) and goofy-footer Gabriel Medina (Brazil), but was unable to top Smith’s devastating form in the final. South Africa’s Jordy Smith captured the Billabong Rio Pro on Sunday, edging out home favourite Adriano De Souza in the final by a score of 17.80 to 16.34 in clean two-to-four foot (one-metre) waves at Barra Da Tijuca. 1 – Jordy Smith (RSA) 17.802 – Adriano de Souza (Bra) 16.34 “It would have been good to go one better, but the semis is good,” Fanning said. “Thanks to the crowd and Adriano. He’s been ripping the whole event. Thanks to all of my friends and family for all of the amazing support.” Amazing runSmith’s run to the final was nothing short of amazing as the South African powerhouse defeated dangerous rookie Filipe Toledo (Brazil) and two-time ASP world champion Mick Fanning (Australia) en route to the final. Adriano de Souza 15.33 def. Kelly Slater (USA) 12.30Gabriel Medina 16.43 def. Adrian Buchan (Aus) 14.93Mick Fanning 12.50 def. Sebastian Zietz (Haw) 12.37Jordy Smith 17.76 def. Filipe Toledo (Bra) 14.07 ‘I got a couple of scores’“When the swell dropped against Adriano and he took to the sky, I knew I was going to have to do the same, but luckily I got a couple of scores.” RESULTS Smith attributed his success to his ability to adapt to both his competitors and the ever-changing conditions of Barra Da Tijuca. Quarter-finals Semi-finals Smith showed an incredible variety of technical airs and turns in the final, launching a massive straight frontside air for a 9.33 and a stalefish air-reverse for an 8.50 to top De Souza for the win. Adriano de Souza 17.64 def. Gabriel Medina (Bra) 17.50Jordy Smith 14.83 def. Mick Fanning (Aus) 8.26 ‘Congrats to Jordy’“I did my best out there and thanks to the crowd for being behind me 100 percent,” De Souza said. “Congrats to Jordy. He beat me in the final from start to finish. I’m so happy to be here representing Brazil. Jordy was the best out there today and congrats to him.” The third of 10 stops on the ASP World Championship Tour (WCT), the Billabong Rio Pro used the entire event waiting period, culminating in a high-performance showdown from the ASP’s top 34 amidst a bevy of barrels and ramps. Third ASP WCT winThe Billabong Rio Pro victory marks the third career ASP WCT event win for the 25-year-old and his first away from South Africa. “I knew it was going to be tough,” he said. “I was really nervous in the first heat against Filipe. Luckily I got through that one and when I came up against Mick I waited for better waves. last_img read more

Handle Saurabh Chaudhary with great care

first_imgSuccess has many fathers and failure none. Cliched as it may sound, this applies to Indian sport quite often.On Sunday, when Saurabh Chaudhary shot the air pistol gold with a world record score to boot in the ISSF World Cup in the Capital and earned India a quota place for the Tokyo Olympics, there were celebrations all around.Today, what stands out like a sore thumb is how so many coaches have come forward to take credit for his and nation’s success.The shy boy from a village near Meerut has been in the news for almost a year. His performances have been sublime abroad in various international competitions and winning on Sunday was icing on the cake.Before the success could be savoured, various coaches are trying to take credit, except those who have really slogged with him! Saurabh is making the transition from junior to the senior rank and obviously will need good guidance from here on.To be sure, most of the junior pistol shooters were training under Jaspal Rana till recently. Many of them still follow the schedule he has designed though in all fairness, now if one man deserves to take credit, it is the foreign pistol coach hired by India – Pavel Smirnov.Pavel does not go about seeking publicity, and that’s good. What has come as a big surprise is someone who is more in the role of a manager from Saurabh’s village is making tall claims about being the coach.At a time when someone like Jitu Rai has suffered a big burnout and gives an impression as if he loathes shooting, it is very important the National Rifle Association of India takes care of Saurabh. The rustic lad who skipped his Class 10 board exams to prepare for the World Cup needs mentoring.advertisementThe first concern is that Saurabh is now flogged at every competition and needs to pace himself out. Now that he has won the quota place, he needs to be assigned a specific foreign coach who can work exclusively with him.To be part of the national camp is one thing and then be included for competitions ideally meant for juniors another. There is no dearth of funds and how Saurabh is nurtured becomes imperative.Unlike Apurvi Chandela and Anjum Moudgil, who were the first to clinch quota places for the Tokyo Olympics, Saurabh is still not that experienced. Hopefully, under the leadership of NRAI president Raninder Singh, himself a shooter, Saurabh will be protected well as he has already peaked in one cycle.last_img read more